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    • Home/Blog
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    • 2026 #7
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    • Andre Breton Biography 1
    • Andre Breton Biography #2
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    • Oct. 2024 - January 2025
    • Garden Studies: Part 1
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    • Black /White/Mixed Media
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    • X Ray / Visual Novel
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  • Home/Blog
  • Unprimed /Unstretched
  • Spring 2026
  • Crossroad - Spring 2026
  • 2026 #7
  • 2025 - 2026 #6
  • 2025 #4
  • 2025 #3
  • Andre Breton Biography 1
  • Andre Breton Biography #2
  • 2025 #2
  • 2025 #1
  • Oct. 2024 - January 2025
  • Garden Studies: Part 1
  • Garden Study: Part 2
  • Recent Work: Page 1
  • Recent Work: Page 2
  • Black /White/Mixed Media
  • Illustrations
  • X Ray / Visual Novel
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Unprimed and Unstretched

In this series of works some have grommets for hanging and displaying them and others will have grommets added to them in the future. Others can be displayed with a series of clip as shown in the photographs. Wikipedia, -
Zen garden of Ryōan-ji, built during the Higashiyama period. The clay wall, stained with subtle brown and orange tones, reflects sabi principles, while the rock garden reflects wabi principles.[1]A Japanese tea house reflecting the wabi-sabi aesthetic in Kenroku-en (兼六園) GardenWabi-sabi tea bowl, Azuchi–Momoyama period, 16th century

In traditional Japanese aesthetics, wabi-sabi (侘び寂び) centers on the acceptance of transience and imperfection.[2] It is often described as the appreciation of beauty that is "imperfect, impermanent, and incomplete".[3] It is prevalent in many forms of Japanese art.[4][5]

Wabi-sabi combines two interrelated concepts: wabi (侘) and sabi (寂). According to the Stanford Encyclopedia of Philosophy, wabi may be translated as "subdued, austere beauty", and sabi as "rustic patina".[6] Wabi-sabi derives from the Buddhist teaching of the three marks of existence (三法印, sanbōin), which include impermanence (無常, mujō), suffering (苦, ku), and emptiness or absence of self-nature (空, kū).[7]

Characteristics of wabi-sabi aesthetics and principles include asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and the appreciation of natural objects and the forces of nature. 

2026

June 226 Garden Study. Acrylic Paint on Unrimed Unstretched Canvas. 4 Foot by 6 Foot 

May Garden Study 2026. Mixed Media on Unprimed Unstretched Canvas. 4 Foot by 6 Foot

Garden Study May 2026. Indian Ink and Acrylic Paint on Unprimed Unstretched Canvas.  4 Foot by 6 Foot

May 2026 Garden Study. Indian Ink and Mixed Media on Unprimed Unstretched Canvas. 4 Foot by 6 Foot

Window Garden Study April 2026. Acrylic Paint on Canvas Tarp. 4 Foot by 4 Foot. 

( a better image will be coming soon) April Garden Study 2026. Acrylic Paint on Canvas Tarp. 4 Foot by 4 Foot

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EARTH DAY GARDEN STUDY April 2026. Indian Ink on Canvas Tarp. 4 Foot by 4 Foot

Garden Study April 2026. Indian Ink and Acrylic Paint on Unprimed Unstretched Drapery Liner. 63" x 62" A work that owes something to the exhibit and book from The Cleveland Museum of art MAGNUM CONTACT SHEETS. 

Storm Warning: Garden Study April 2026. Indian Ink on Unstretched Primed Canvas. 

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DETAIL  Garden Study March 30th, 2026.  Indian Ink on Unprimed Unstretched Drapery Liner. 6 Foot by 8 Foot 

Garden Study March 30th, 2026.  Indian Ink on Unprimed Unstretched Drapery Liner. 6 Foot by 8 Foot 

Garden Study March 2026. Indian Ink on Unprimed Unstretched Canvas. 33 inches by 70 inches

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Acrylic Paint on Canvas Collage, ink, Acrylic Paint and Pencil on Unprimed Unstretched Canvas

Acrylic Paint Canvas Collage, Drawing in Indian Ink on Paper Collage, Mono Print Collage, on Unstretched Primed Canvas

Acrylic Paint on Primed Canvas, Unprimed Canvas with Ink Drawing on Canvas Collage,  

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Garden Shroud  (4 Foot by 4 Foot. Acrylic Paint on Canvas Tarp) My reference was the Shroud of Turin image and the cloth itself with all its imperfections.  A small section of a simple garden and a sense of reverence and what in Japan is referred to as wabi-sabi or simplicity, roughness, asymmetry, and a deep appreciation for natural objects.

  4 Foot by 4 Foot. Acrylic Paint on Canvas Tarp. My reference was the Shroud of Turin image and the cloth itself with all its imperfections. I wanted to apply a possible explanation for the image on the shroud...a sudden powerful flash of ultraviolet radiation emission, to a small section of a simple garden and by doing so giving it a sense of reverence and what in Japan is referred to as wabi-sa

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 Garden Study Shroud. (4 Foot by 4 Foot. Acrylic Paint on Canvas Tarp) My reference was the Shroud of Turin image and the cloth itself with all its imperfections. I wanted to apply a possible explanation for the image on the shroud...a sudden powerful flash of ultraviolet radiation emission, to a small section of a simple garden and by doing so giving it a sense of reverence and what in Japan is r

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  July 2025 Garden Study Shroud  (4 Foot by 4 Foot. Acrylic Paint on Canvas Tarp) My reference was the Shroud of Turin image and the cloth itself with all its imperfections. I wanted to apply a possible explanation for the image on the shroud...a sudden powerful flash of ultraviolet radiation emission, to a small section of a simple garden and by doing so giving it a sense of reverence and what in

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