In this series of works some have grommets for hanging and displaying them and others will have grommets added to them in the future. Others can be displayed with a series of clip as shown in the photographs. Wikipedia, -
Zen garden of Ryōan-ji, built during the Higashiyama period. The clay wall, stained with subtle brown and orange tones, reflects sabi principles, while the rock garden reflects wabi principles.[1]A Japanese tea house reflecting the wabi-sabi aesthetic in Kenroku-en (兼六園) GardenWabi-sabi tea bowl, Azuchi–Momoyama period, 16th century
In traditional Japanese aesthetics, wabi-sabi (侘び寂び) centers on the acceptance of transience and imperfection.[2] It is often described as the appreciation of beauty that is "imperfect, impermanent, and incomplete".[3] It is prevalent in many forms of Japanese art.[4][5]
Wabi-sabi combines two interrelated concepts: wabi (侘) and sabi (寂). According to the Stanford Encyclopedia of Philosophy, wabi may be translated as "subdued, austere beauty", and sabi as "rustic patina".[6] Wabi-sabi derives from the Buddhist teaching of the three marks of existence (三法印, sanbōin), which include impermanence (無常, mujō), suffering (苦, ku), and emptiness or absence of self-nature (空, kū).[7]
Characteristics of wabi-sabi aesthetics and principles include asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and the appreciation of natural objects and the forces of nature.